18+ SHOW / ID REQUIRED
GA Floor/Reserved Balcony: $36.00 advance / $41.00 day of show
Reserved Loge seats: $46.00 advance / $51.00 day of show
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Here’s how you know you’ve made it in the music business: You’ve stayed strong for three decades on your own terms, on your own time, by your own rules, and over that time your influence has only grown. Each of your albums has been stronger than your last. You’ve been brought onstage by Bruce Springsteen, because he wanted to play one of your songs. You’ve seen high times and low ones, good days and tragic days, but every night you give 100%, and every morning you wake up still swinging.
This is the short version of the Social Distortion bio — the long version could be a 10-part mini-series. But over the past 30 years, the punk godfathers in the band have all but trademarked their sound, a brand of hard rockabilly/punk that’s cut with the melodic, road-tested lyrics of frontman Mike Ness. Their searing guitars and a locomotive rhythm section sound as alive today as they did in ’82, as do Ness’ hard-luck tales of love, loss and lessons learned. “The most common thing I hear is, ‘Man, your music got me through some hard times,'” Ness says. “And I just say, ‘Me too.'”
Hard Times And Nursery Rhymes (produced, for the first time, by Ness himself) is the band’s first record since 2004. For a band with a career spanning over 30 years, Social Distortion experienced a significant amount of firsts in 2011. For starters, Hard Times and Nursery Rhymes debuted at #4 on the Billboard Top 200 and was the highest debut that the band has yet seen. Hard Times was also the #1 Independent Album and the #2 Modern Rock/Alternative Album week of release. The band also made their late night television debut when they performed “Machine Gun Blues” on Jimmy Kimmel Live, and later played for Conan on Hard Times’ release date. Taking their successes to the road, Social Distortion played European festivals including Reading and Leeds for the first time. They also booked their first tours of Australia and South America. And finally, Social Distortion played Lollapalooza, Austin City Limits Festival, and Coachella – all of these for the first time.
Hard Times and Nursery Rhymes has Social Distortion’s key components — their patented mix of punk, bluesy rock n’ roll and outlaw country — while also stretching the boundaries of their signature sound. Social Distortion is a blend of potent power that appeals to all ages. They are honored to have been able to reach as many people as they have so far. “I write songs for myself, and I hope that other people will like them too,” Ness says. “I think every record you make is showing people what you’ve learned over the past few years. It’s showing people, ‘This is what I know.’ ” Now in their fourth decade, Ness and Social Distortion have officially achieved one of the most non-punk things possible: They’ve failed to burn out.
Jade Jackson hails from the tiny town of Santa Margarita in central California where she began playing guitar and writing songs at 13. By the time she had entered high school she had attracted a growing fan base with local performances and estimates that she had written over 300 songs before graduating. The notion that music could be more than merely a personal escape dates back to the night she went to a concert for the first time without her parents; and the headliner was Southern Californian legends Social Distortion.
“When I watched Mike Ness walk onstage and felt the energy from the crowd, it ignited something in me,” Jackson explains. “I wanted to be on that stage too. I never knew I wanted to perform until that day. That shifted all the gears in my life.” After that Jackson formed a tight-knit band and together they have shared stages with such iconic artists as Merle Haggard, Rosie Flores and Dwight Yoakam. Along the way, Jade attracted the admiration of none other than Social Distortion frontman Mike Ness, whose wife was friends with Jackson’s mother. Upon hearing her perform, Ness offered to mentor Jackson and to produce her debut album.
The resulting album, Gilded, is unapologetically country rock, merging the heartbreak and resilience of Lucinda Williams with the melodic confidence of Emmylou Harris, yet containing the emotional presence of a young musician who cherished albums by The Gun Club and Smiths alongside the works of George Jones and Hank Williams. Mike Ness says of their collaboration, “I wouldn’t have done this record if I didn’t believe in her and her potential. The songs were amazing and came to life each week we worked on them. She is an old soul and it comes through in her songwriting and performing. She truly is one of a kind, raw and unique. She put her trust in me and I trusted she’d deliver and she did.”